Wednesday, January 9, 2013
Jessica Chastain on Bigelow, Boal and the ‘Zero Dark Thirty’ ending – OSCARS
By Sean O’Connell Hollywoodnews.com: You could say that Kathryn Bigelow’s “Zero Dark Thirty” has encountered choppy waters since experimenting with a limited release at the tail end of last year (so as to be eligible for Oscar consideration). Not from critics, mind you. Bigelow’s taut, tense depiction of the CIA and U.A. military’s hunt for Osama Bin Laden has been recognized and lauded by virtually every major guild. Just this morning, Bigelow’s name was one of five nominated for the Directors Guild of America’s top prize … a well-deserved nod, in my humble opinion. But Bigelow has been knocked in the court of public opinion for the film’s depiction of waterboarding, and was even marginally criticized by the government agencies she tried to credit in press releases that aren’t worth the time spent to assemble them. Note to the CIA: Intelligent moviegoers understand “Zero Dark Thirty” isn’t a documentary. Your confirmation is unnecessary. Jessica Chastain understands why the film’s realism might confuse, though. The actress who plays Maya, the lead investigator on Bin Laden’s trail, spoke with me about the devil in the details of “Zero Dark Thirty” when we sat down for an intimate interview in New York City. We very well may hear Chastain’s name called on Thursday when the Academy announces its Oscar nominations. Here’s my conversation with Chastain, which might help to explain why I think she’s worthy of a Best Actress nomination: HollywoodNews: When you have a character like Maya, where there’s a lot of information that you can go back and research on your own and dig into to try and better formulate the character, is that something you’re interested in, or do you prefer to keep it to what’s on the page? I love to do it. You know, if I wasn’t an actor, I would love to be an investigative journalist. Or a spy! I wouldn’t want to kill anyone, but the research and all the details …I find that with a role like this, or any part, doing the research to find out who the character is and what their motivations are – for me, that’s the most fun. And with this, I’m playing a woman who is trained to be unemotional, and analytically precise. When playing that, I’ve still got to find the humanity inside of her, inside of that arc of where she begins the movie and where she ends. And at that [...]
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